For the “critical reflection” of the project, I’m still concidering between doing a documentary video, or a combination of text and video, as the project do imply time and space.
No matter how I decide to do the critical reflection, I indend to look into what is actually happening on stage, in the relationship between acting, sound & music. In order to establish some kind of tool for this, I’m exploring how to connect structural tools from musical composition with tools for theatre.
During the winter, I participated in the classes of Lasse Thoresen at Norges Musikkhøgskole, on “musical semiotics”. This, and Lasses development of the “Aural Sonology”- project, may be a field of relevance to my project, which I will look further into as I’m developing performances.
